A Substitute World
Works in A Substitute World are made using the formal qualities and underlying frameworks of traditionally male-dominated practices in photography. By monumentalizing space, the viewer is confronted with an amplified record of observation that exaggerates the weight felt in these spaces. The end results are images that offer a baronial clarity without the expected gender-normative sentimentality, created in contrast to the implied gender hierarchies and boundaries applied to women artists, who are canonized chiefly for personal, intimate exposures.
All works are archival pigment prints. Dimensions vary.
Obviously, the Sealord pool is closed, 2004
You probably cannot trust people near the edge, 2019
So much opportunity, 2021
Staying six feet apart prevents both COVID and pregnancy, 2021
But it's ok to have colonized Hawai'i, right?, 2025
Everyone was declared healthy, 2024
Baronial clarity, 2015
Re. Lee Friedlander | The Department of Transportation, 2019
I doubt the EXIT will work, 2020
Your taste in art might change after dark, 2014
What fog looks like flooding through open windows (in Japan), 2015
Revolutionary Romanticism: A Collab, 2025
Rockaway exceeded my expectations, 2004
While everyone else is doing it, 2017
The ceremony was downsized, 2017
I am not proud, 2019
This could be almost anywhere, 2020
Unity: A model to live by, 2015
Re. Robert Adams | 3-ways to nowhere, 2019
If it is not finished by morning, then it will be left undone, 2014
I would not have known what to order, 2019
Re. Lewis Baltz | Vogue Tyres, 2015
You probably know where this is, 2018
One time, there was a cat here, 2015